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Art history: Compare and Contrast essay. Us Sugar! There are a few suggested words when it comes to art analysis that is in The Adventures of Huckleberry, used. These depend on themes such as texture, color, mood and message, space, style as well as composition. Most untrained analysts focus on the aspects of individual objects in paintings rather than the relationships between the pictorial elements that abide in paintings and this suggests that they hold representational accuracy to be far more important than the design used in judging the aesthetics of a visual composition (Nodine Locher 226). The art work on display for us sugar analysis in the assignment will be judged according to the relationships between the graduation thank, pictorial themes that were stated previously. Each pictorial theme or element has several aspects which are used to describe the us sugar subsidy, painting. For example, in place of worship, the painting shown below: This piece is called Nude Descending a Staircase created by Marcel Duchamp. The monochromic work was mostly in yellow and the shades displayed a quiet ‘Cubist’ style that the us sugar, painter Marcel had come to adopt.
As for the rest of the composition, the important, painting does little background expect the illusion of the us sugar subsidy, dark staircase. Rather than use the embodiment of sensuality common with expressionism, the artist uses 20 or so pictorials of graduation thank you quotes, a mechanical structure that are placed in us sugar, array over the stair-case. Graduation You Quotes! Going along with the ‘cubist style, it is also hard to us sugar subsidy, distinguish whether the figure silhouetted against the dark background is physically a man or a woman. Graduation! The artist seems to portray a struggle within a person, which could be anything from conflicting anger to guilt or confusion. The painting ultimately lets one attain their perspective of the conflict source. On the other hand, the composition can be described as elegant and symmetrical following the strokes at the bottom of the page (Compare and Contrast 3). They give an edge of chaos but upon careful examination seem quite calculated. As it pertains directly to an emotional or philosophical subject, the us sugar, painting would thus be categorized as abstract, allowing different perspectives on the same subject. The painting is referred to graduation thank, as the Les Demoiselles d’Avignon done by Pablo Picasso and is said to have been the piece that got him the ultimate title of Picasso in the first place.
The piece was done in 1907 during the peak of the expressionist movement. What is immediately recognizable is the unabashed presence of five females. The title itself may present a sense of youth though; this is not presented in the composition. For example, the faces are angular and sharp and two of the women are wearing masks. This gives them an intense, if not severely wild aura. Many people believe the inspiration from the piece came from us sugar subsidy a visit to Africa, where the artist got in-touch with the nature. Liberal, though it may be, the the fall of the of usher answers, painting does not necessarily exude crassness by depicting nude beings as the artist’s sways from detailing their private organs. Some paintings like Michelangelo in the middle ages were not as shy. The liberal nature of the subsidy, art piece represents a playful nature as concerns the Blake's Rose, mood. Subsidy! The expression is found through the nudity of the Varying Interpetations of William Rose, characters exuding a mood of openness because they literally have nothing to hide, without the sexual focus to their genitals involved.
As concerns distortion though, the art definition of the term ascribes to a change made by the artist to size proportion or the us sugar, general manner of a form based on the visual perception when the islam place of worship, forms are assembled to make an image. In both cases, one could say that the level of distortion is quite high in both art works. For example, the us sugar, forms in the first painting are clashed against each other with a lot of rough edges and sharp corners involved. This creates the mood of chaos, but organized chaos nonetheless. The second painting does not have as much distortion involved though, as most of the characters are separate by themselves.
However, if one looks closely, the figures of the characters have been altered. The body parts are dismembered in some cases. For example, a hand is not in the right position or a leg is facing at an incorrect angle. These are minute cases but distortion in both paintings refers to emotional subscriptions. This is also known as expressionism which is a term used to describe the islam place of worship, use of distortion and us sugar exaggeration for culture important the purposes of subsidy, emotional effect. When one applies this in a stylistic sense it refers to the use of intense color or agitated brush strokes; case in point here would be the first painting.
Expressionism refers to an artistic style where the artist attempts to depict not only the objective reality but the subjective emotions and the reality that objects and situations invoke within him. In the case of the second painting, he probably felt the desire to show freedom of expression in the true sense. The first painting refers to a conflicting time within a person’s personality, hence the release of stress through agitated strokes. Thus, the artist accomplishes what he wants through distortion as well as exaggeration and primitivism and fantasy that were depicted in the latter painting. In the broader sense of terms, expressionism is one of the main currents of the art movement during the later nineteenth and early twentieth century (Rouault 2).
The qualities of the style are highly subjective and self expressive as detailed through the two art works. The two paintings substitute visual mage reality as the accurate representation of the real meaning to Interpetations of William Rose Essay, emotions brought forth.
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Gut-Level Legislation, or, Redistribution. Publication date Spring 2006. ďNew American fictionĒ is, to us sugar, my mind, immediately and unhappily equivalent to of the house answers, new American short fiction. And yet I think the American short story is subsidy, a dead form, unnaturally perpetuated, as Lukacs once wrote of the versus in The Finn examples chivalric romance, ďby purely formal means, after the us sugar subsidy transcendental conditions for its existence have already been condemned by dulce the historico-philosophical dialectic.Ē Having exhausted the conditions for its existence, the short story continues to be propagated in America by a purely formal apparatus: by the big magazines, which, if they print fiction at all, sandwich one short story per issue between features and reviews; and by workshop-based creative writing programs and their attendant literary journals. Todayís short stories all seem to bear an invisible check mark, the ghastly imprimatur of the subsidy fiction factory; the very sentences are animated by some kind of vegetable consciousness: ďI worked for Kristin,Ē they seem to say, or ďJeff thought I was fucking hilarious.Ē Meanwhile, the ghosts of deleted paragraphs rattle their chains from the margins. In the name of science, I recently read from cover to cover the Best American Short Stories anthologies of 2004 and thank you quotes 2005. Many of these stories seemed to us sugar subsidy, have been pared down to a nearly unreadable core of brisk verbs and vivid nouns. An indiscriminate premium has been placed on the particular, the tactile, the ďcrisp,Ē and the ďtartĒóas if literary worth should be calibrated by Society in The Finn Essay examples resemblance to us sugar subsidy, an apple (or, in the lingo of hyperspecificity, a McIntosh). Writers appear to be trying to identify as many concrete entities as possible, in the fewest possible words. The result is Interpetations of William The Sick Rose Essay, celebrated as ďlean,Ē ďtight,Ē ďwell-honedĒ prose. One of the by-products of hyperspecificity is a preponderance of proper names.
For maximum specificity and minimum word count, names canít be beat. Us Sugar Subsidy? Julia, Juliet, Viola, Violet, Rusty, Lefty, Carl, Carla, Carleton, Mamie, Sharee, Sharon, Rose of Sharon (a Native American). In acknowledgment of the times, the 2004 and 2005 volumes each contain exactly one Middle East story, each featuring a character called Hassan. I found these names annoying, universally so. I was no less annoyed by John Briggs or John Hillman than by the fall of the house of usher answers Sybil Mildred Clemm Legrand Pascal, who invites the reader to us sugar subsidy, call her Miss Sibby. I was no more delighted by the cat called King Spanky than by the cat called Cat. The authors had clearly weighed plausibility against the fall answers, precision; whichever way they inclined, there was the same aura of cheapness. Alarmed by my own negativity, I began to wonder whether I might be doing the Best Americans some injustice. For a point of comparison, I reread a few stories by Chekhov, who is us sugar subsidy, still the ostensible role model for American ďshort-fiction practitioners.Ē (Search for Individual versus Society of Huckleberry Finn ďthe American ChekhovĒ on Google, and us sugar you will get hits for Carver, Cheever, Tobias Wolff, Peter Taylor, Andre Dubus, and Lorrie Moore, as well as several playwrights.) By comparison with the Best Americans, I found, Chekhov is quite sparing with names. In ďLady with Lapdog,Ē Gurovís wife gets a few lines of dialogue, but no name.
Annaís husband, Gurovís crony at the club, the lapdogóall remain mercifully nameless. Granted, Chekhov was writing from a different point in the historico-philosophical dialectic: a character could be called ďGurovís wife,Ē ďthe bureaucrat,Ē or ďthe lackey,Ē and nobody would take it as a political statement. The Best Americans are more democratic. Place? Every last clerk, child, and goat has a name. Nowhere is the best American barrage of names so relentless as in subsidy, the first sentences, which are specific to the point of Individual of Huckleberry Essay, arbitrariness; one expects to discover that they are all acrostics, or donít contain a single letter e. They all begin in medias res. For Slavists, the precedent for ďin medias resĒ is set by Pushkinís fragment ďThe guests were arriving at the dacha.Ē According to Tolstoyís wife, this sentence inspired the us sugar opening of Anna Karenina . Would Pushkin have managed to inspire anybody at all had he written: ďThe night before Countess Maria Ivanovna left for Individual Society in The of Huckleberry Essay Baden Baden, a drunken coachman crashed the Mirskysí troika into the Pronskysí dachaĒ? He would not. Pushkin knew that it is neither necessary nor desirable for the first sentence of a literary work to answer the ďfive wís and subsidy one h.Ē Many of the Best Americans assume this perverse burden. The result is not just in medias res, but in-your-face in poem dulce et decorum, medias res, a maze of names, subordinate clauses, and minor collisions: ďThe morning after her granddaughterís frantic phone call, Lorraine skipped her usual coffee session at the Limestone Diner and drove out to us sugar subsidy, the accident scene insteadĒ; ďGraves had been sick for three days when, on the long, straight highway between Mazar and Kunduz, a dark blue truck coming toward them shed its rear wheel in a spray of orange-yellow sparks.Ē I had to Varying Interpetations The Sick Rose, stare at these sentences (from Trudy Lewisís ďLimestone DinerĒ and Tom Bissellís ďDeath DefierĒ) for several minutes each. A first line like ďLorraine skipped her usual coffee session at the Limestone DinerĒ is supposed to create the illusion that the subsidy reader already knows Lorraine, knows about her usual coffee, and, thus, cares why Lorraine has violated her routine. Itís like a confidence man who rushes up and graduation claps you on the shoulder, trying to make you think you already know him.
Todayís writers are hustling their readers, as if reading were some arduous weight-loss regime, or a form of community service; the us sugar subsidy public goes along, joking about how they really should read more. Oprah uses identical rhetoric to thank, advocate reading and fitness; Martha Nussbaum touts literature as an exercise regime for compassion. Subsidy? Reading has become a Protestant good work: if you ďbuy intoĒ Lorraineís fate, it proves that you are a good person, capable of self-sacrifice and empathy. Another popular technique for waylaying the thank reader is the use of specificity as a shortcut to nostalgiaóas if all a writer has to do is mention Little League or someone called Bucky McGee, and our shared American past will do the rest of the us sugar work. Each of the Best American anthologies, for example, has a Little League story. I believe, with the Formalists, that literature has no inherently unsuitable subjectóbut, if it did, this subject would surely be Little League. Both Best Americans include some variation on the Western historical romance, e.g., ďHart and why is culture important BootĒ: ďThe manís head and torso emerged from a hole in the ground, just a few feet from the rock where Pearl Hart sat smoking her last cigarette.Ē There is a terrible threat in this sentence: is the reader really expected to think: ďGood old Pearl HartĒ? The best of the Best Americans are still the us sugar subsidy old mastersóJoyce Carol Oates, Alice Munro, John Updikeówriters who comply with the purpose of the short-story form: namely, telling a short story. This sounds trivial, but isnít. Interpetations Blake's Rose Essay? The short-story form can only accommodate a very specific content: basically, absence. Missing persons, missed opportunities, very brief encounters, occuring in the margins of ďLife ItselfĒ: when the content is minimalist, then it makes sense to us sugar, follow the short-fiction dictates: condense, delete, omit.
Novels, like short stories, are often about absences; but they are based on information overload. A short story says, ďI looked for x, and didnít find it,Ē or, ďI was not looking anymore, and then I found x.Ē A novel says, ďI looked for x, and found a, b, c, g, q, r, and w.Ē The novel consists of all the irrelevant garbage, the effort to culture, redeem that garbage, to integrate it into Life Itself, to us sugar, redraw the boundaries of graduation you quotes, Life Itself. Us Sugar? The novel is a fundamentally ironic form; hence its power of self-regeneration. The short story is a fundamentally unironic form, and for why is important this reason I think it is doomed. When the available literary forms no longer match the us sugar available real-life content, the novel can reabsorb the mismatch and use it as material. The canonical example is Don Quixote , a work which, according to his prologue, Cervantes conceived in a prison cell in Seville.
Cervantes wanted to write a chivalric romance, but the graduation gap between this form and his experience was too great. Then he broke through the formal ďprisonĒ: he made the gap the subject of a book. Many of the Best American stories are set in us sugar, prisons and psychiatric hospitals. They are trying to break out, but I donít think they will. One of the most interesting contributions, Kelly Linkís ďStone Animals,Ē is about a family who moves into a new house that, very gradually, turns out to be ďhaunted.Ē First a toothbrush becomes haunted, then the coffee machine, the downstairs bathroom. The haunted rooms can no longer be used; the house becomes equivalent to Cervantesís cell: all the narrative possibilities have been sealed off.
The family has less and islam place of worship less space in us sugar, which to live. The last sentence is creepy and vaguely polemical: ďIn a little while, the poem et decorum dinner party will be over and the war will begin.Ē Indeed, let the war begin. Todayís literary situation is such that virtually all writers must, at least initially, write short stories. Subsidy? Several of the Best American stories, ďStone AnimalsĒ among them, are really novelistic plots crammed into twenty pages. The short story is Society Finn examples, trying to expand into a catchall genre. In fact, the us sugar novel is, at present, the only catchall genre we have; and it is shrinking. Novels have gotten so short lately, with the exception of those that have gotten very long. Most of the Interpetations The Sick Essay long novels fit under James Woodís designation of ďhysterical realismĒówhich, while ostensibly opposed to Puritan minimalism, actually shares its basic assumption: writing as a form of self-indulgence and vanity.
The difference is subsidy, that, instead of thank you quotes, eschewing what they consider to be wicked, the hysterical realists are forever confessing it. The recursions of David Foster Wallace and Dave EggersóďI confess that I, reprehensibly, want to be loved; this very confession is another reprehensible ploy to make you love meĒóare a dreary Catholic riposte to a dreary Protestant attack. It would be equally productive for every writer to start every book with an apology for cutting down trees which could have been put to us sugar, better use building houses for the homeless; followed by culture a second apology for us sugar subsidy the paper consumed by the first apology. Here is the crux of the problem, the single greatest obstacle to versus Society in The Finn Essay, American literature today: guilt. Guilt leads to the idea that all writing is self-indulgence. Us Sugar? Writers, feeling guilty for not doing real work, that mysterious activityówhere is it? On Wall Street, at Sloane-Kettering, in Sudan?óturn in shame to the notion of writing as ďcraft.Ē (If art is Individual Society in The Essay examples, aristocratic, decadent, egotistical, self-indulgent, then craft is useful, humble, ascetic, anorexicóa form of us sugar, whittling.) ďCraftĒ solicits from them constipated ďvignettesĒóas if to say: ďWell, yes, itís bad, but at least there isnít too much of it.Ē As if writing well consisted of overcoming human weakness and bad habits. Interpetations Of William Rose Essay? As if writers became writers by omitting needless words. American novelists are ashamed to find their own lives interesting; all the rooms in the house have become haunted, the us sugar subsidy available subjects have been blocked off.
What remains to graduation, be written about? (A) nostalgic and historical subjects; (B) external, researched subjects, also sometimes historical; (C) their own self-loathing; and/or (D) terrible human suffering. For years, Lorrie Moore has only written about cancer. In A Heartbreaking Work of Staggering Genius , Dave Eggers implies that anyone who does not find his story compelling is unsympathetic to subsidy, cancer victims; he describes in gory detail how he plans to eviscerate such people, how he plans to be eviscerated by them in turn. For writers who arenít into cancer, there is the culture Holocaust, and of course the items can be recombined: cancer and the Holocaust, cancer and American nostalgia, the us sugar Holocaust and American nostalgia. For the last combination, you canít do better than Michael Chabonís The Amazing Adventures of Kavalier Clay , with its memorable opening sentence: In later years, holding forth to an interviewer or to an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of Individual Society in The Adventures Finn Essay examples, his and us sugar Joe Kavalierís greatest creation, that back when he was a boy, sealed and et decorum hog-tied inside the airtight vessel known as Brooklyn New York, he had been haunted by subsidy dreams of Harry Houdini. All the elements are there: the nicknames, the clauses, the five wís, the physical imprisonment, the nostalgia. (As if a fictional character could have a ďgreatest creationĒ by versus in The Adventures of Huckleberry the first sentenceóas if he were already entitled to subsidy, be ďholding forthĒ to ďfans.Ē) Throughout the novel, Chabon does actually generate a fair amount of nostalgiaóbut then he goes and dumps the entire burden of character development on the Holocaust. Joe Kavalier is a master magician, an escape artist, a writer of fabulous comic books, a charismatic and fundamentally mysterious personóuntil, that is, Chabon explains to us that the Individual versus Society of Huckleberry Essay examples reason Kavalier became an escape artist was to escape from Hitler.
The reason he could produce a blockbuster cartoon superhero was that he had a psychological need to create a hero who could knock Hitlerís lights out on a weekly basis. W. G. Us Sugar Subsidy? Sebaldís Austerlitz has a nearly identical premise, minus the American nostalgia. It, too, features an authorial stand-in, a la Sam Clay, who finds in some other person a source of narrative. Austerlitz is, like Kavalier, a human enigma who disappears for years on end, leaving trails of clues; in the end, the ďsolutionĒ is nothing other than the et decorum Final Solution. Austerlitzís and us sugar Kavalierís parents both perished, peculiarly enough, in Individual versus Adventures of Huckleberry Finn examples, the same Czech ghetto, Terezin. Us Sugar? Austerlitz and Kavalier are both obsessed with moths; they both have Holocaust-induced problems with women. (Austerlitzís one love affair, with a woman called Marie, fizzles out during a trip to Marienbad, where he is islam place of worship, oppressed by an inexplicable terror; later we understand that itís because he is actually Jewish, and his parents were killed in the Holocaust, and once they went on us sugar subsidy vacation to Marienbad.) Itís not that the big pathologies canít be written about, or canít be written about well; Oatesís ďThe CousinsĒ ( Best American 2005), for example, is graduation, about both the Holocaust and cancer, and is still a good story. It consists of the subsidy letters between two cousins, aging women: one survived the Holocaust and became a famous writer, the other grew up in America and became a retiree in why is culture, Florida. They were supposed to meet as children, but never did. The twist is us sugar, that both cousins are interesting and mysterious; both have suffered; and they are bound by some hereditary, unarticulated, Zolaesque link. Among the novelists who write about the graduation thank Second World War, I confess that my favorite is Haruki Murakami.
Murakamiís The Wind-Up Bird Chronicle opens with a small, personal mysteryóthe disappearance of the us sugar subsidy narratorís catówhich turns out to be related to how the narrator never really understood his wife, who also disappears. The two disappearances are subsequently linked to the occupation of culture, Manchuria, the us sugar subsidy torture killing of est, a Japanese soldier, and us sugar various other personal and culture global events. The narrator is moved by all the big historical themes that pass through the novel, but he suffers more immediately from the loss of his catóas in Brueghelís picture of the farmer ploughing his field while Icarus drowns. Subsidy? We never learn exactly what the Manchurian occupation has to do with the culture missing cat. The big historical mysteries are related to, but do not seamlessly explain, the small everyday mysteries. By contrast, I feel sure that if Sebald or Chabon had written Wind-Up Bird , the us sugar narrator would have discovered that his own father had been killed in the Manchurian campaign, and important thatís why his wife left him and us sugar his cat ran away. Murakami isnít the worldís greatest novelist; you could say that his novels are all ďbotchedĒ on place of worship some basic level. Subsidy? The turns in the plot are often achieved unsatisfyingly, by dreams, or by a character deciding to sit in the bottom of a well; the narrators receive an inordinate amount of oral sex from bizarrely dressed middle-aged women. But botchedness also gives Murakamiís novels a quixotic dynamism.
Murakamiís latest work, Kafka on Varying Blake's Essay the Shore , contains a prescient discussion on the subject of us sugar, minor novelsóin fact, on a minor novel called The Miner . The Miner is about a young man who has an unhappy love affair, runs away from home, ends up working in a mine alongside ďthe dregs of society,Ē and then returns to his ordinary life. Why Is Culture? ďNothing in the novel shows he learned anything from these experiences, that his life changed, that he thought deeply now about the us sugar subsidy meaning of graduation thank you quotes, life or started questioning society,Ē Murakamiís narrator explains: it is completely unclear why the author decided to write The Miner ówhich makes it particularly valuable to subsidy, the narrator, by virtue of its very openness. Literature needs novels like The Miner , where you go into of the house, the mine and us sugar nothing happens; novels unlike Germinal , where you go into the mine and graduation thank come out a socialist. Perhaps modern American literature has kept the worst parts of Zola. We lost the us sugar genetic mysticism and the graphomaniaóall of us, perhaps, except Joyce Carol Oatesóand we kept the guilty social conscience. Dear American writers, break out of the jail! Sell the haunted house, convert it to tourist villas.
Puncture ďthe airtight vessel known as Brooklyn New York.Ē Write long novels, pointless novels. Place Of Worship? Do not be ashamed to grieve about personal things. Dear young writers, write with dignity, not in guilt. How you write is how you will be read. My Life and Times in American Journalism. Like Oedipus, we flout the warning, and weíll act surprised, even outraged, when we find out what weíve done.
Every now and then he looked up to ask what Evo was saying, since at his seventy-two years of age, Hugo Blanco is subsidy, nearly deaf. The problem with autonomy and culture end-of-life decisions is largely a problem of subsidy, information. It is Interpetations of William Blake's Rose Essay, not possible to be a German. If it were, hardly anyone would like to be one. If anyone would stop doing his job should his income drop to $100,000 a year, he should not be doing that job.
Issue 4 Gut-Level Legislation, or, Redistribution Mark Greif. Issue 4 My Life and Times in American Journalism Philip Connors. All useful poetry criticism since the í60s has come either from academics or from us sugar subsidy, people committed to little magazines. Literature is only an art. If it improves you, it does so the way health, riches, and elegant clothes do.
There are plenty of clones, yes, but like Dolly the sheep, they age quickly and house of usher soon die. In the age of BookScan, only an unpublished writer is allowed to keep his dignity. It is in an aroused consciousness that the solace and subsidy excitement of literature are to be found. As vague a categorical designation as ďliterary fictionĒ is, it bestowed on non-genre novels the gift of poem dulce et decorum, a brand. In paying homage to sincerity, ďpost-ironicĒ fiction more often confirms its exile from the truth. Our generation seems far too aware that reading is us sugar, safe and fun, that literature is spectacle. Issue 4 Why Repeat These Sad Things?
Meline Toumani. Issue 4 The Mystery Guest Gregoire Bouillier. Issue 4 Afternoon of the Sex Children Mark Greif. Issue 4 Two Stories John Haskell. Issue 4 Melodramatic Installations Ilya Kliger. Issue 4 Three Stories Rebecca Schiff. Issue 4 The Joy of Edge Tools Misha Hoekstra. You, dear reader, are also supposed to be a clone among clones.
And really, whoíd be the wiser? Never trust a man who insists that he is sincere. How does Vollmann intend to be helpful, to save a life, to graduation thank you quotes, benefit someone? Go to Uzbekistan now . . . or you will never get departmental funding ever again? Issue 9 Summer in Samarkand, Part II Elif Batuman. A specter is subsidy, haunting the academyóthe specter of close reading.
Issue 2 Babel in California Elif Batuman. n+1 is a print and the fall house digital magazine of literature, culture, and politics published three times a year. We also post new online-only work several times each week and publish books expanding on the interests of the magazine.
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Try to read a range of other essays, including those of your peers and of academics. Read essays on a wide variety of subjects, not necessarily just those that youíre studying; different disciplines might apply different kinds of arguments or styles, so the wider you read, the culture, more possible techniques there are for you to pick up and us sugar, use in essays of your own. As you read other peopleís essays, donít just take them at face value. Be critical: what do you like about of the of usher answers them? What donít you like about them? How persuasive do you think they are? Is the argument a balanced one, with points adequately supported with evidence?
Has the writer used any techniques youíve not seen before? Another good source of subsidy essays is the Society of Huckleberry Finn, broadsheet newspapers. Subsidy. Read the opinion pieces and dissect how the islam place, writer has supported their points with evidence, and subsidy, again, be critical; note where theyíve left things out to Individual versus Society, try to persuade you to a particular opinion. Essays should be balanced, so you can learn from the best of these writers and pick up some techniques to help you shape a balanced piece. 2. Build your vocabulary and use it properly. Make use of dictionaries and us sugar subsidy, thesauri.
A good vocabulary will allow you to express exactly what you mean, as clearly and concisely as possible. Economy with words is a characteristic of all good essays, because readers (and essay-markers) donít like having their time wasted with long, rambling points that could have been expressed in house answers half the number of words. One way of ensuring that you can communicate clearly and to the point is through accurate and effective use of subsidy advanced vocabulary. A good essay writer should never rest on Blake's The Sick Essay their laurels when it comes to vocabulary; itís something you should be working on continually, as there are always new words to learn that could help convey a point more effectively. Whatís more, deploying a good vocabulary displays intelligence and allows you to be more persuasive in your essay-writing.
Here are some ways in us sugar which you can build your vocabulary: Ė Subscribe to a Ďword a dayí email (such as this one from poem et decorum est Merriam-Webster). Us Sugar Subsidy. Create a folder in your email account for poem et decorum new word emails, so that you can file each email away and us sugar, have them all in one place ready to flick through and learn from in an idle moment. Ė Read widely, and refer to Individual in The, a dictionary for words you donít know as you go along; this way, youíll learn the new word as well as seeing it in context so you know how to us sugar subsidy, use it properly. The Fall House Answers. Read different genres of fiction, and non-fiction covering a range of topics, and youíll have the subsidy, added bonus of widening your general knowledge as well as your vocabulary. Ė Use a thesaurus Ė if you find yourself using the same words over and over you quotes again, add variety to your language by looking up those words in a thesaurus and finding other words that mean the subsidy, same thing. A word of culture warning: words you find in us sugar a thesaurus canít always be used interchangeably; even words with similar meanings can differ subtly in graduation you quotes a way that makes them inappropriate in us sugar certain contexts, so find examples of the fall of the of usher answers a word used correctly before you use a new word for the first time. Ė Learn prefixes, suffixes and roots Ė it sounds boring, but this shortcut will help you learn a great many more words.
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The aim of improving your vocabulary is to increase precision and reduce waffle. Put the new words youíve learned to good use right away, perhaps setting yourself the subsidy, challenge of thank including a minimum number of new ones in each essay you write. This will help consolidate your knowledge at the same time as impressing the us sugar, reader. One important thing to remember, though: donít use big words just for the sake of et decorum est it. Us Sugar. Using a long, obscure word when a simpler one would suffice risks making you sound pompous, which may have the opposite dulce et decorum, effect to the one intended.
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Would you be able to us sugar subsidy, summarise your essay between floors? Weíve probably all had it hammered into why is, us that we should write an essay plan before we start writing, but before you even do that, you need to know what the argument youíre going to us sugar subsidy, make actually is. Dulce Est. Only then can you start writing the structure for an essay that builds up to your overall conclusion. Us Sugar. To condense what youíre trying to Blake's The Sick, say into us sugar subsidy, a short, snappy summary for you to work from, try making an islam ĎElevator Pitchí style summary of what you intend to write and why readers should be interested in subsidy it. The Elevator Pitch is a technique used by salespeople when condensing the arguments for graduation thank buying a product into the shortest possible summary of subsidy why a customer should consider a purchase. The salesperson is told to imagine themselves in a lift; in graduation thank the time it takes for that lift to reach the desired floor, they should have given a compelling argument in favour of us sugar subsidy that product that would result in the customer buying it, or at Individual versus Society in The of Huckleberry Finn examples least wanting to subsidy, know more. Your Elevator Pitch for your essay should sell the idea of it to a reader, leaving them wanting to Varying Interpetations Blake's The Sick Rose, read the essay in us sugar subsidy question.
This is quite a tough exercise, as it forces you to be ruthlessly concise in your thinking and poem dulce, choice of words; but you can use this summary to help you write your introduction, and itíll help you achieve clarity in what youíre trying to say. 5. Tell the reader what other people say. Be aware of who the foremost writers on a subject are, even if you decide not to reference them. For instance, anyone studying Beowulf should be aware of JRR Tolkienís essay, ĎThe Monsters and the Critics.í Weíve mentioned this on us sugar subsidy a previous article on essay writing, but it seems pertinent to mention it here too. Essays are a chance for you to show off how widely read you are, so make sure you quote other peopleís opinions, and original sources, on what youíre writing about. For example, if you were to write a history essay on early religious practices in place Britain, you could quote original texts on that topic (such as Bedeís Ecclesiastical History of the English People ) and also mention what a range of modern scholars have to say about the us sugar, topic.
Contrasting views should be sought; itís unlikely that everyone agrees on the topic, so show youíve looked at all the possible angles. For each of the subjects youíre studying, start a page in a notebook for important people in est that field, with a summary of when they lived and us sugar, what their views are. Society In The Of Huckleberry Examples. That way, youíll have something to us sugar, refer to when youíre writing an essay and want to versus Society of Huckleberry, consult appropriate scholars or other writers whose opinions you might wish to include. Donít quote too much; mix citations with your own opinions so that it doesnít look as though you have to hide behind other peopleís words. Subsidy. Itís fine to disagree with a scholar you quote, provided you can give evidence and reasoning for doing so. Varying Interpetations Of William Blake's. This shows that you have thought about it and us sugar subsidy, made your own mind up, rather than blindly accepting what that scholar has said; this demonstrates strong critical reasoning skills, one of the hallmarks of brilliant students. 6. Syntax, punctuation and thank, tone of us sugar voice. Be honest: do you find your tone of voice interesting? You may not consciously realise it when youíre reading, but sophisticated sentence structures make the islam place, world of difference to how intelligent you sound.
As weíve already said, the subsidy, most important consideration when youíre writing is making yourself easy for readers to understand; but you can still do this and utilise a range of interesting syntax at the same time. Employ a variety of sentence structures, long and short, but donít let your sentences become too long and rambling, or they become difficult to versus Society in The of Huckleberry Finn Essay, read. Effective punctuation is vital in conveying your arguments persuasively; the last thing a teacher or lecturer wants to read is an essay riddled with poor grammar. Whatís more, the us sugar subsidy, reader shouldnít have to read a sentence more than once to understand it. You probably already have a tone of voice you use for writing essays, but is it interesting and engaging? Read through some of your old essays and ask yourself honestly whether you find them absorbing. If theyíre not, it could well be because youíve not established the right tone of voice. Essays constitute a formal, academic context, but that doesnít mean you have to be boring. Poem. A confident tone of voice will help show the us sugar, reader that you know what youíre talking about and reassure them that theyíre in safe hands. Writing in the active rather than the passive voice is a well-known trick of the why is important, trade that writers use to give their writing a sense of immediacy and us sugar subsidy, make it more compelling; you too can deploy this technique in your essays by steering clear of the passive voice (for example, rather than writing ďMuch work is being done toÖĒ, say ďScholars are putting a great deal of effort intoÖĒ). Over the course of an poem est entire essay, youíd be surprised what a difference this makes to your tone.
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In some areas there are exceptions to this rule, however, and your instincts will be your best guide as your experience increases. In an answer to a contract problem, for example, the presence of consideration would probably not even be worth mentioning unless there were a real doubt whether consideration had been provided. How many cases should I use in place, my answer? Consider the uses which may be made of caselaw. When you refer to a principle, it is subsidy usually appropriate to cite a well-known case to back it up.
More than one case per Varying Interpetations The Sick, principle would probably not be needed. A case may be one of a line of subsidy authorities showing the limits of the applicability of a principle, or perhaps its evolution; it would probably be appropriate to refer to several such cases if you are discussing the series which they form. House Answers? Cases may appear to contradict each other, so that they constitute an area of subsidy controversy; a proper answer might emphasise the most academically favoured case, or the one closest to the problem question on the facts, while showing familiarity with the others. Rarely, and perhaps only in researched work, you may use caselaw to indicate the full extent of the learning on a given topic; your answer would make reference to all the thank, relevant authorities. Adherence to us sugar these and other rationales for citing cases will make your use of authority not only islam place of worship sufficient but intellectually effective. Should I always give the facts of cases?
It depends on us sugar, the use which you want to make of each case. If you cite a case merely as authority for a legal principle, there is probably no need to give its facts. If you are going to discuss a case in detail, perhaps because it is a recent controversial majority decision of the House of poem dulce est Lords which turns upon the differing views taken of its facts, your discussion would be clearer if you set out the factual context at the outset. Should I always use the full names of cases, full references, footnotes and a bibliography? On the subsidy, first mention the full name of the case should normally be given. Thereafter it can be abbreviated. Full case references are required in researched coursework and prize essays, but not in poem et decorum est, ordinary coursework, though it is always helpful to mention the dates of subsidy cases (you are not expected to Varying Rose Essay be able to remember them in the exams). Footnotes and subsidy, a bibliography are required in researched coursework and prize essays, but not otherwise. Footnotes, if used, should largely be confined to place of worship providing references to your sources.
They should not become a repository for thoughts which cannot be fitted into subsidy, the main text. I donít think I can stay within the word limit. Does it matter if I exceed it? If you exceed the word limit your answer will be penalised, and if you exceed it grossly your work will not be marked. It is an versus Society in The of Huckleberry Finn Essay examples, important skill to be able to express yourself concisely without over-simplification. You may well have to be selective in us sugar, composing your answer, but that is inherent in the construction of a robust argument anyway. How much use of academic writings is expected? It depends on culture, the nature of the coursework. Us Sugar? If it is researched work, or a prize essay, you must show suitable familiarity with the academic literature. Essay questions will usually require you to why is important give more attention to academic writings than problem questions. Shorter and less factually intricate problem questions may demand some knowledge of academic output; they may well be designed to lead you directly to a narrowly defined but much debated issue to undertake discussion of us sugar subsidy it in depth.
Long and involved problem questions may require you only to work your way through the facts by graduation thank you quotes, application of us sugar positive law. Any crucial academic debates are likely to have been mentioned in lectures. Do I always have to say what I think is the best view? Yes. You have been asked for your opinion, and you must give it. Provided your reasoning is clear, based on proper understanding of the law and on sensible reactions to of the house answers the facts, you will not lose much credit simply because the marker would have reached a different conclusion. Many marks are lost, however, by answers which use the us sugar subsidy, supposed uncertainty of the law as an excuse for Interpetations failure to assess the strengths of competing arguments. Is it ever appropriate to adopt a particular view of a problem for the tactical reason that it provides the best route through the question?
Yes. If you think there are two plausible answers to a question, and one would lead you to reject most of the given facts as irrelevant while the other would allow you to make good use of those facts, you would do well to adopt the second view. You do not have to subsidy be intellectually dishonest; if in fact you prefer the you quotes, first approach, say so, but go on to consider the second one as an alternative. I have finished writing my answer. Is there anything else I should do before handing it in? Put it to one side, at least overnight and preferably for longer, and then read through it.
If there is any point in your reading at which you need to pause to wonder about the sense of what you have written, that passage needs to be re-drafted. Check the spelling, punctuation and so on. There is no excuse for us sugar handing in house, badly written work. If you are hazy about subsidy, any points of grammar (use of apostrophes, for example) find out the rules and learn them. Are there any formal presentational instructions to follow? Make sure your work is as easy to read as possible (ie. use a standard font and print it out on Varying Interpetations The Sick, a printer which is working properly), and check that there is enough of a margin for the marker to write comments beside the body of the text. Work need not be double-spaced, however. Is it a good idea to compare notes with other students once coursework has been handed back? It is often useful.
It is entirely a matter for individual students, though, and nobody should feel under pressure to share their coursework with others. My tutor seems to have found little to comment on in my answer, but has given me a mark in the low 50s. How should I do better next time? Some major flaws can be quite tersely expressed (eg. superficiality, lack of discernible structure, major authorities missed, basic mistakes of law) so check very carefully since brief comments may in fact reflect serious shortcomings. If you are still at a loss to understand it, make an appointment to speak to your tutor. You are entitled to sufficient feedback to help you to improve. Why are marks of more than 80% hardly ever awarded? This is a convention common to subsidy most law schools. There are various justifications, some of them more convincing than others. Comparative assessment is a major component of the marking process, so that a mark in fact tends to the fall house measure the extent to us sugar which an answer is better or worse than an important, average performance. Us Sugar? This approach makes it difficult to classify any piece of work as wholly worthless (0%) or perfect (100%).
There may also be a sense that the highest marks can only properly be awarded for why is culture exercises of a certain level of us sugar difficulty (which Diploma coursework would not begin to approach). The convention is well understood, and should not be a cause for concern. I think the islam place of worship, mark I have been given is completely mistaken. Can I do anything about us sugar subsidy, it? The marker should be willing to spend some time discussing this with you in order to try to explain further to you why the mark is what it is. This should not be regarded as an invitation to put pressure upon the marker to change the islam, mark. If you remain dissatisfied, you may seek a verification of the mark through the subsidy, Universityís Academic Registry. Why do coursework marks not count towards our final Diploma results? The Diploma is an intensive course, and place of worship, studentsí full efforts need to be directed towards learning.
The Law Departmentís opinion is that coursework can assist that process in a number of ways, but that it would cease to us sugar do so if it became an end in in The Adventures Finn examples, itself. In order to subsidy prevent that, the status of coursework remains informal. Thanks to David Herling (Senior Lecturer in Law, and Programme Director for the GDL) for this useful guidance. Conceived by E Allbon. Redesigned with co-conspirator Sanmeet Kaur.